The Complex Emotions of Stephen Dedalus
of affluent living and turning himself into their banker and benefactor. . All are summarily treated as material for epigrammatic play by a super-mind. . Though he scorns the pedantry of the lecture room, he relishes the magic of language with acute sensitivity. . Given that beauty is only intelligible and not physical, "It beauty awakens, or ought to awaken, or induces, or ought to induce, an esthetic stasis, an ideal pity or an ideal terror, a stasis called forth." (Pg. That art is formed from the "Gross Earth meaning the artist's experiences. Like the previous chapters, this chapter too ends on a note of triumph again a romanticised triumph, that of the self-consciously cleansed young man receiving the sacrament in the joy of forgiveness. What transforms these experiences into art is how one can recreate the esthetic emotions felt by the artist.
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Stephen's earliest memories intensely vivid and fragmented are proof that from the first, he always viewed his world from an artist's perspective.
The character of Stephen Dedalus is a harshly drawn version of Joyce himself at age twenty-two.
Her eyes, her chatter, her way of coming to stand on the step beside him all seem to invite him to hold her and kiss her. . His individuality has triumphed over the iniquities of the system. . He must learn his own wisdom in his own way and face the worlds snares. . Valuable in itself for its new reading of Joyce, Epstein's work offers new interpretations of themes and symbols which have heretofore puzzled Joyce scholars. In giving his hero these names Joyce gave him symbolic status. .
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